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Case Law

 

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EU Development

 
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Review of the European Copyright  Acquis

Based on the Better Regulation programme the latest review scheduled for early 2007 potentially has wide ranging consequences for the European Copyright Acquis, on top of the originally envisaged fine-tuning of existing directives providing opportunities to introduce or weaken/ remove new provisions as well as addressing term of protection and exceptions.

 

http://europa.eu.int/comm/enterprise/regulation/better_regulation/docs/simpli_en.pdf

http://europa.eu.int/comm/internal_market/copyright/review/review_en.htm

 

The Information Society Directive – the “Copyright Directive” (EC 2001/29) and other specific directives such as the Term (EC 93/98 and the Database (EC 96/9) Directives are subject to review

 

http://ec.europa.eu/internal_market/copyright/docs/databases/evaluation_report_en.pdf

 

The Commission published two studies on their website on the implementation and effect in Member States' laws of the Information Society Directive and the Recasting of Copyright & Related Rights for the Knowledge Economy respectively:

 

http://ec.europa.eu/internal_market/copyright/docs/studies/etd2002b53001e34_en.pdf

 

The Commission in November 07 published a preliminary report on the application of Directive 2001/29/EC on the harmonisation of certain aspects of copyright and related rights in the information society (the Copyright Directive) looking into the application of Articles 5, 6 and 8 (mainly Exceptions to Copyright and Digital Rights Management) in the light of the development of the digital market.

 

http://ec.europa.eu/internal_market/copyright/docs/copyright-infso/application-report_en.pdf

 

 

Collective management

On 12th October 2005 the European Commission published a non mandatory Recommendation  to member states and collecting societies on the management of online rights in musical works giving right holders the choice regarding collecting societies referring to certain best practices of transparency, good governance, accountability, efficiency. Right holders are now in the process of implementing the Recommendation This is important to achieve the goals of the Lisbon Agenda, to make the EU the best place to do electronic business by 2010. The Commission is currently gathering information on the implementation of the Recommendation before considering further action, as and if necessary.

 

http://europa.eu.int/comm/internal_market/copyright/management/management_en.htm#20051012

 

The Plenary of the  European Parliament has adopted an own initiative report on 13th March 2007. calling for a framework directive on online music.

 

http://www.europarl.europa.eu/sides/getDoc.do?pubRef=-//EP//TEXT+TA+P6-TA-2007-0064+0+DOC+XML+V0//EN&language=EN

 

Link to a comprehensive overview of collective management in the EU:

http://www.europarl.europa.eu/meetdocs/2004_2009/documents/dv/study-collective-management-rights-/study-collective-management-rights-en.pdf

 

Digital Rights Management

 

The Commission continues extensive consultations, amongst others with consumer groups, Hard- and Software producers, right holders on DRM, including:

·     Technological protection measures (c.f. Article 6 Information Society Directive  2001/29/ EC) -  protecting content, controlling access etc

·     Rights management information (c.f. Article 7 Information Society Directive  2001/29/ EC)  Identifying and describing intellectual property; setting usage policies; monitoring use and payment etc.

Under the Commission’s initiative “i2010: European Information Society 2010” to foster growth and jobs in the information society and media industries presented on 1st June 2005 the Commission announced further activities on DRM. I2010 is a comprehensive strategy for modernising and deploying all EU policy instruments to encourage the development of the digital economy: regulatory instruments, research and partnerships with industry.

More information: http://europa.eu.int/information_society/eeurope/i2010/index_en.htm

http://europa.eu.int/information_society/eeurope/2005/all_about/digital_rights_man/index_en.htm

Digital Rights Management are being discussed in the Commission Communication on "Creative Content Online in Europe's Single Market" and the preliminary report on the application of Copyright Directive.

 
Private Copying

After plans to harmonise the private copying regime throughout the European Union have been shelved "sine die" in 2006, the day has come for another questionnaire to broaden the understanding of the Commission of the economic impact of private copy levies on the internal market. http://www.ec.europa.eu/internal_market/copyright/docs/levy_reform/questionnaire_en.pdf

 
Recommendation on the management of online rights in musical works
 
The Commission has published a report on the implementation of the Recommendation referring to existing initiatives which will ultimately enable pan European licensing.
 

Communication from the Commission on i2010: digital libraries

 

Digital libraries is one of the flagship initiatives of Commissioner Reding’s initiative “i2010 – a European Information Society for growth and jobs”, adopted by the Commission on 1 June 2005).

 

The Commission published a Recommendation on the digitisation and online accessibility of cultural material and digital preservation on 24th August 06 to bring out “the full economic and cultural potential of Europe’s cultural and scientific heritage through the Internet” and to increase European competitiveness. It is part of the Commission’s strategy for the digitisation, online accessibility and digital preservation of Europe's cultural and scientific heritage as set out in the Commission Communication ‘i2010: digital libraries’

The measures put forward by the Commission are aimed at leading to a more coordinated approach in the Member States to key issues for digitisation, online accessibility and digital preservation, and help create a multilingual common access point to the digital cultural heritage of European nations.

 

http://europa.eu.int/information_society/newsroom/cf/document.cfm?action=display&doc_id=160

 

Communication on "Creative Content Online in Europe's Single Market"

 

Following a public consultation in 2006 on ways to stimulate the growth of a true EU single market for online digital content, such as films, music and games, the European Commission published the long expected Communication on "Creative Content Online in Europe's Single Market" on 3rd January 08 .

 

The basic issues which should be addressed by all stakeholders are:

·         Availability of creative content

·         Multi-territory licensing for creative content

·         Legal offers and piracy

·         Interoperability and transparency of Digital Rights Management systems

 

http://eur-lex.europa.eu/LexUriServ/LexUriServ.do?uri=COM:2007:0836:FIN:EN:PDF

 

To achieve Europe’s full potential, the Communication encourages the content industry, telecoms companies and Internet service providers to work closely together to make more content online available, while at the same time ensuring a robust protection of intellectual property rights.

The Commission has already developed a ‘Film Online’ Charter, signed amongst others by film makers and members of the creative industry earlier in the year.

 

http://ec.europa.eu/comm/avpolicy/other_actions/content_online/index_en.htm

 
 
 

International Development

 

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WIPO Broadcasting Treaty

As part of its digital Agenda, WIPO has been trying to advance a Treaty on the protection of broadcasters updating the framework provided in the Rome Convention of 1961 and improving the level of protection specifically against piracy of the broadcasting signal.

WIPO published a non paper for discussion in March before issuing a new text to be voted on at the Standing Committee on Copyright and Related rights in June 2007.

 

Despite the Draft Broadcasting Treaty being on the Agenda of the SCCR in March 08 its future is more than uncertain.

 

http://www.wipo.int/meetings/en/doc_details.jsp?doc_id=89692

 

WIPO  Development Agenda

Back in Nov 04 discussions started to gain momentum at WIPO as to how WIPO should take into account the interests of developing countries when formulating intellectual property policy and treaties. These discussions, prompted by ‘Friends of Development’, a group of 14 states led by Brazil and Argentina, have raised questions about whether intellectual property laws are a help or a hindrance to developing countries which on the one hand need copyright laws to help grow their own creative industries and, on the other, require access to medicines and educational materials.

In February 2007 discussions on proposals submitted by member states continued during the Third session of the Provisional Committee on Proposals Related to a WIPO Development Agenda

The first meeting of the Committee on development and intellectual property (cdip) will take place in March 08. http://www.wipo.int/portal/en/events/2008/article_0001.html

 

Bars and Grills exception, s.110 (5) US Copyright Act

This key copyright trade dispute between the European Union and the US concerns section 110 (5) of the US Copyright Act (the “bars and grills exception”).  This section, introduced in 1998 by the Fairness in Music Licensing Act, exempts some 70 per cent of US bars and restaurants and more than 45 per cent of shops and boutiques, from having to pay copyright royalties for public performance of music (on TV and radio) in their premises.

 

Following a complaint by the EU Commission, a WTO Panel ruled in 2000 that US Copyright Law is not compliant with TRIPS and ordered the US to amend its legislation and to compensate European right holders for related economic losses until the Act is amended.

 

The US has still not amended its legislation. For the last 3 years it has paid a derisory compensation of US$ 1.2 million to European rights holders. The amount was calculated by an independent arbitrator using an approach which arguably dramatically under-valued the actual lost income to European rights holders which the European Commission estimated at $25 million. As of the end of 2004, the compensation period has expired, and discussions are now underway between the relevant parties on possible next steps.

 

Further information: http://www.bmr.org/page/article-3

 

Private International Law

 

·           The Brussels Regulation on jurisdiction and the recognition and enforcement of judgments in civil and commercial matters deals with the area which was formerly an EU Convention which has been converted into a European Regulation.  Text: http://europa.eu.int/servlet/portail/

 

·           Article 16(4) of the Brussels Convention, with a similar provision in the Regulation, provides exclusive jurisdiction for the courts of the state of registration in cases dealing with validity. The ECJ has opted for a broad interpretation of that exclusive jurisdiction in its judgment of 13th July 2006 in Case C-4/03 GAT v LUK. It rules that Article 16(4) of the Convention of 27 September 1968 on Jurisdiction and the Enforcement of Judgments in Civil and Commercial Matters, as last amended by the Convention of 29 November 1996 on the Accession of the Republic of Austria, the Republic of Finland and the Kingdom of Sweden, is to be interpreted as meaning that the rule of exclusive jurisdiction laid down therein concerns all proceedings relating to the registration or validity of a patent, irrespective of whether the issue is raised by way of an action or a plea in objection. It is important to keep in mind though that the clause does not apply to copyright, as there is no registration requirement. In the past attempts have been made to extend it to copyright, but in the light of the recent judgment the desirability of such an extension must now be highly questionable. Text:

http://curia.europa.eu/jurisp/cgibin/form.pl?

 

·           On 30th June 2005 the Hague Conference on Private International Law concluded the

Convention on Choice of Court Agreements, which also applies to copyright (the validity clause does specifically not exclude copyright, Article 2 para 2 (o)).

 

http://www.hcch.net/index_en.php?act=conventions.text&cid=98

 

·           The Rome Convention of 1980 concerns the applicable law for contractual obligations; during its modernisation it might be converted into an EU regulation.

Text: http://www.rome-convention.org/instruments/i_conv_orig_en.htm

 ·           A Rome II Regulation, currently discussed at the European Parliament (the European Parliament has adopted its Rome II report on 6 July 2005) and the European Council in a co-decision procedure, will regulate the law applicable to non-contractual obligations incl. copyright infringement, in cross border situations. Whilst Article 8 provides a special rule for copyright, the actual wording deviates from the still applicable international obligation in the Berne Convention (Article 5 (2)).

http://europa.eu.int/comm/justice_home/fsj/civil/applicable_law/wai/fsj_civil_applicable_law_en.htm

More info is available under http://www.dianawallismep.org.uk/pages/rome2.html

 
 
 

UK Copyright Development

 

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Propose changes to copyright exceptions

UK-IPO published the consultation on the proposed changes to copyright exceptions on 8th January 2008. They presented 66 questions on five specific areas re the extension of exceptions:

 

·         for educational establishments

·         for format – shifting

·         for private study and research

·         for libraries for the purposes of preservation.

·         for caricature, parody, or pastiche

 

http://www.ipo.gov.uk/consult-copyrightexceptions.pdf
 

Droit de suite/ Artist's Resale Right

From January 2006 onwards UK artists and visual creators will be entitled to receive a percentage share of the price every time their work is resold by a gallery or auction house under specific conditions. Text of Directive:

 

http://europa.eu.int/smartapi/cgi/sga_doc?smartapi!celexapi!prod!CELEXnumdoc&lg=en&numdoc=32001L0084&model=guichett

 

More info available via: http://www.dacs.org.uk